© copyright, Graham Flett, all rights reserved.
Tag Archives: René Char
This piece was composed for the New European Ensemble and the Kroumata Percussion Ensemble.
Musically this piece explores connections between pitched and non-pitched percussive sounds as well as other instrumental sonorities. This piece used the sounds of a number of ordinary household-materials and placed them into a musical context that was quite out-the-ordinary. In turn, related percussive and pitched timbres were combined with well-crafted counterpoint, varied textures and a flowing gestural language chiefly characterized by a scheme of microtonal pitch-multiples. Continue reading